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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Love hotels adapt to women changing spotsラブホテルは様変わりして女性向けになる 参考資料 拡散状況 関連ページ Love hotels adapt to women changing spots ラブホテルは様変わりして女性向けになる 0 Love hotels adapt to women changing spots 2004,10,13 Shukan Post 10/22 By Ryann Connell ラブホテルは様変わりして女性向けになる 2004,10,13 週刊ポスト 10/22 ライアン・コネル記 1 Every minute, an average of 951 couples hit a love hotel somewhere in Japan,creating a 4 trillion yen a year industry that accommodates twice the number of annual visitors to Tokyo Disney Resort and easily exceeds the takings of the Japan Racing Association, according to Shukan Post (10/22). １分ごとに平均で９５１組のカップルが日本のどこかのラブホテルに赴き、年間で４兆円市場を創出していて、宿泊人数は東京ディズニーリゾートの年間訪問者数の二倍にあたり、JRA(日本中央競馬会)の収益をらくらくと超過している。週刊ポスト(10/22)より。 2 "Love hotels originated with the tsurekomi ryokan (bring-your-own inns) that popped up just after the end of the (Second World) War," love hotel commentator and consultant, Vitamin Miura tells Shukan Post. "Right at the end of the war, the Home Affairs Ministry ordered local governments to build relief facilities to cater to the Occupation forces. They used the machiai okiya (waiting tearooms) that had been around since before the war and added hotels where American soldiers could bring in their prostitutes. These became known as the tsurekomi ryokan and popped up all over the Ueno area of Tokyo. When prostitution was outlawed in 1957, tsurekomi ryokan began concentrating in commercial areas, growing in number by about four times in about three or four years." 「ラブホテルは『連れ込み旅館(自分自身で連れてくる宿屋)』に起源を発します。連れ込み旅館は(第２次世界)大戦が終わってすぐに現れだしました」とラブホテルのコメンテーターにしてコンサルタントの、ビタミン三浦は週刊ポストに語る。 「終戦直後に、内務省が地方自治体に占領軍に提供するための『慰安』施設を作るよう指示しました。地方自治体は戦前から存在していた『待合置屋(待つティールーム)』を使い、さらにホテルを追加し、そこにアメリカ兵士は自分の売春婦を連れてくることができました。それらは「連れ込み旅館」として知られるようになり、東京の上野のいたるところにたくさん現れました。１９５７年に売春が非合法にされたとき、連れ込み旅館は商業地区に集中し始め、３年か４年くらいのうちにその数を約４倍に増やしました」 3 Tsurekomi Ryokan were fairly basic, existing simply to allow couples a place to consummate whatever relationship they had established. Toilets, coolers and heaters were largely non-existent, while the reputation of the facilities was, to put it mildly, bleak. 連れ込み旅館にはまったく最小限度のものしかなく、カップルの関係がどんなものであろうと二人が床入りするための場所としてのみ存在する。 たいていトイレやクーラー、ヒーターは存在せず、その設備にたいする評判は、控えめに表現して『殺風景』である。 4 Things changed when Japan s economy started to skyrocket in the early 60s. Tsurekomi Ryokan cleaned up their act to become "business hotels" catering to traveling salarymen, or "love hotels" for couples seeking a ride of a different sort. ６０年代早くに日本経済が急成長を始めてから状況は変わった。 連れ込み旅館は自分たちの生業をすっかりかえて、出張中のサラリーマンの要求を満たす『ビジネスホテル』になるか、変わった趣向の性交を求めるカップルのための『ラブホテル』になった。 5 Love hotels got their name partly by accident. ラブホテルというネーミングはいくぶん偶発的なものである。 6 "(Osaka s Hotel Love) used to have a flashing advertisement that revolved around over its roof. People saw the ad, thought it was saying Love Hotel" and not Hotel Love and the name became common. It really stuck when love hotels started equipping rooms with ceiling mirrors and revolving beds," Miura tells Shukan Post. 「(大阪のホテルラブは)屋根の上で回転する電光広告掲示板を使っていたものでした。その広告を見た人々が、『ホテルラブ』ではなく『ラブホテル』と書いてあると考え、その名前が一般的になりました。 ラブホテルが天井の鏡や回転ベッドを部屋に取り付け始めたときに、しっかり定着しました」と三浦は週刊ポストに語る。 7 Love hotels have developed along with postwar Japan and, perhaps mimicking society now, have become more in tune with the demands of the female customers who are also making a bigger mark in the wider world. ラブホテルは戦後の日本と一緒に発展してきて、おそらくは現在の社会を模倣して、女性客――彼女たちはより広い世界においてより大きな存在感を示している――の要求に的をより絞るようになっていった。 8 "More love hotels go out of their way now to cater to women. The flashy decorations and revolving beds that used to embarrass women are now a thing of the past. Now,love hotels are decked out in neutral colors and decorated in styles women like, while they re also equipped with brand name shampoos, conditioners and other amenities directed at women. Let s not forget that the decision to have sex now rests with women instead of men," Miura says. "Love hotels are now of the mind that if one of their couples splits up, the guy may never come back again, but the woman may go there with other men." 「現在ではより多くのラブホテルが女性の要望を満たすために格別の努力をしています。かつては女性を恥ずかしがらせた派手な装飾や回転ベッドは、今では過去のものとなりました。現在、ラブホテルは中間色で飾り立てられ女性が好むスタイルで装飾されていて、なおかつブランド物のシャンプーとコンディショナーやそれ以外の女性向けグッズを備え付けています。現在ではセックスするか決めるのは男性ではなく女性次第であるということを忘れないようにしましょう」と三浦はいう。 「現在ラブホテルは、カップルが別れた場合男の方は二度とくることはないけれども、女のほうは別の男とくるかもしれないところと考えられます」 9 Twenty-first century love hotel rooms are also more lavish than their predecessors. ２１世紀のラブホテルの部屋はまた、以前のそれに比べてより豪華になっている。 10 "Many offer a couple of free drinks in the refrigerator of every room, others provide free dinner or breakfast, while more have cordon bleu chefs ready to prepare free food from an extensive menu," the owner of the Hotel Vie-Bonheur Kobe tells Shukan Post. "Love hotels aren t exclusively for couples any more. Some people even bring their kids with them, especially when they book out suites,which are hugely popular among middle-aged couples and those celebrating anniversaries." 「多くはカップルに各部屋の冷蔵庫の中にフリードリンクを提供し、他のものはフリーのディナーや朝食を提供していて、さらに多くではコルドンブルーの料理人を擁していて品ぞろえが豊富なメニューからフリーの食料を提供できるようになってます」とホテル・ヴィーボヌール神戸のオーナーは週刊ポストに語る。 「もはやラブホテルはカップルだけのためのものではありません。一緒に子供を連れてくる人もいて、とりわけスィートを予約するときはそうです。スィートは中年カップルや記念日を祝う人たちに大人気です」 11 Love hotel expert Miura agrees. ラブホテルの専門家・三浦は同意する。 12 "In the Kansai area, it s common for the love hotel to try and snare a bigger share of customers by offering free the contents of a fully stocked fridge, while in the Kanto,there s a greater emphasis on mood making, such as fitting rooms with black lights that make anything white shine with a mysterious glow," he says. 「関西地方では、ラブホテルが満杯になった冷蔵庫の中身を無料で提供することでより多くの顧客を惹きつけようとすることが一般的です。一方関東では、(どんな白いものにも神秘的な輝きを与える)「ブラックライト」を備えた着付け室など、ムード作りにより大きなウェイトを置いています」と彼はいう。 13 Many love hotels have well and truly crossed into the domain of respectability,the only feature distinguishing them from standard accommodation being the double price system which has one charge for an overnight stay and a separate rate for those who only want rooms for a few hours. 多くのラブホテルは本当にとても尊敬に価するものになってるといえる。ラブホテルを普通のホテルと区別しているものといえば、一泊滞在向けの料金と数時間しか部屋を使わない人のための別の値段がある、二系統の料金システムだけだ。 14 In fact, many use the establishments as an alternative to regular stopovers. 実際、多くの人はこれらの宿泊施設を通常の途中下車の代替策として利用している。 15 "Love hotels must constantly spend money if they want to continue attracting customers, so their survival depends on equipment investments. Some places sell themselves as welcoming even guests staying alone," Yukari Suzuki, a writer who attributes Japan s postwar economic success to the health of the love hotel business, says. "Love hotels don t need reservations, so many people stay out drinking till late, then go and stay there alone after they ve finished. Many salarymen like going there just so they can lie around in the lavish baths." 「顧客を引きよせ続けたいと思うなら、ラブホテルは常にお金を使わなければなりません。なのでその生き残りは設備投資にかかっています。いくつかは、独りだけで滞在する客ですら歓迎することをセールスポイントにしています」と日本の戦後経済の経済の成功の原因をラブホテルビジネスの繁栄と考える作家・鈴木 由加里はいう。 「ラブホテルには予約の必要がないので、多くの人達が夜遅くまで飲んで、飲み終わるとラブホテルに行って一人で滞在します。多くのサラリーマンが、豪華な風呂の中で体を横たえることが出来るというまさにそのことのために、ラブホテルに行きます」 16 Love hotels can present problems, however, especially as Tokyo Gov. Shintaro Ishihara has cracked down on the sex business in the capital, effectively making the establishments the workplaces of the hoteheru, professionals who turn tricks for cash. とはいえラブホテルが問題を提することもある。 特に東京都知事石原慎太郎が都内のセックスビジネスに断固たる措置を取っていて、ラブホテルは実際上ホテヘル――金のために客をとるプロの娼婦――の働き場所になってきている。 17 Some, however, are grateful the pros choose their inns. しかし玄人女たちがこれらの宿泊施設を選んだことを喜んでいる者もいる。 18 "We ve got to constantly keep the place in shape or people will stop coming back," the operator of a love hotel in Maruyamacho, part of Tokyo s trendy Shibuya district, says. "Frankly speaking, we re glad to make deals with sex businesses to use our rooms just because of the steady income it gives us." 「私たちはつねにホテルをいい状態にしておかなければなりません。そうでなければ人々はまた利用することをやめるでしょう」と東京のオシャレな渋谷区にある円山町のラブホテルの経営者はいう。 「率直にいって、ただ安定した収入を私たちに与えてくれるというだけで、私たちの部屋を使ってくれるようセックスビジネスと喜んで契約をしたいです」 19 Despite helping to keep the accommodation industry afloat, not everybody is happy with the way the bonking business dominates the love hotel scene in Shibuya. 宿泊業界を好調にし続けるのに一役買っているにもかかわらず、渋谷のラブホテル情勢をオマンコ産業が牛耳っているやり方に、全員が喜んでいるわけではない。 20 "If there are more hoteheru, the chances are that crime will also rise," an insider from the Shibuya Hoteliers and Inn Operators Union tells Shukan Post. "We don t want Maruyamacho to be equated with hoteheru, so we re talking with the cops about what we can do to stop this." By Ryann Connell Staff Writer 「ホテトルが多くなれば、犯罪が発生する機会も増えるでしょう」と渋谷ホテル旅館組合の人はいう。 「円山町といえばホテトルとは思われたくないので、そうさせないために私たちができることを警察と相談しています」 ライアン・コネル記 スタッフライター 21 October 13, 2004 2004年10月13日 参考資料 ビタミン三浦 http //www.v-miura.net/ ホテル・ヴィーボヌール神戸 http //www.vie-bonheur.com/ 鈴木 由加里 http //spysee.jp/%E9%88%B4%E6%9C%A8%E7%94%B1%E5%8A%A0%E9%87%8C/1291861/ 石原慎太郎 http //ja.wikipedia.org/wiki/%E7%9F%B3%E5%8E%9F%E6%85%8E%E5%A4%AA%E9%83%8E 拡散状況 Asian Sex Gazzete ｈｔｔｐ //www.asiansexgazette.com/asg/japan/japan02news12.htm(*1) http //www.jstage.jst.go.jp/article/jaabe/5/2/5_301/_cit 関連ページ 優先的に翻訳すべき記事リスト 毎日新聞英語版から配信された記事2004年
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【登録タグ Stack V あの賑やかな市場は今どこに ～ Immemorial Marketeers こ～んさるたん！ バンデットリィテクノロジー 幻想の地下大線路網 暁Records 曲 駒草咲くパーペチュアルスノー】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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【登録タグ M SOUND HOLIC aki 懐かしき東方の血 ～ Old World 曲 永夜 -EIYA-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/mainichi-matome/pages/3668.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 10 percent of Japanese men in their 40s still virgins40代の日本人男性の10パーセットは未だに童貞 拡散状況 関連ページ 10 percent of Japanese men in their 40s still virgins 40代の日本人男性の10パーセットは未だに童貞 0 10 percent of Japanese men in their 40s still virgins 2006,07,13 Yomiuri Weekly 7/23 By Ryann Connell 40代の日本人男性の10パーセットは未だに童貞 2006,07,13 読売ウィークリー 7/23 ライアン・コネル記 1 Haruka is a 38-year-old temporary employment agency worker. She met her 41-year-old boyfriend through an online matchmaking site. Judging by his email, he seemed to be kind and was certainly mature. After exchanging mail for about a year, the pair finally agreed to meet. The boyfriend shocked Haruka on their second date, Yomiuri Weekly (7/23) says, when he suddenly blurted out a proposal. ハルカは38歳の派遣会社社員である。 彼女は彼女の41歳のボーイフレンドと、オンラインの出会い系サイトを通じて知り合った。 彼のEメールから判断すると、彼は親切そうで、確かに大人びていた。 1年ほどメールをやりとりした後、この2人はついに会うことに決めた。 読売ウィークリー(7/23)がいうには、このボーイフレンドはかれらの二回目のデートで、突然結婚の申し込みをいきなりして、ハルカをひどくびっくりさせた。 2 "Marry me," Haruka says, recalling her boyfriend s words for Yomiuri Weekly. "I ve kept my body clean all my life while I waited to get married. I m still a virgin." 「僕と結婚してください」とハルカは、読売ウィークリーに、ボーイフレンドの言葉を思い出しながら言う。 「結婚することを待ちながら、人生でずっと、僕は体をきれいにし続けていました」 3 Haruka didn t know what to say, but kept on seeing her 41-year-old boyfriend and thinks they ll probably tie the knot some day. ハルカはなんといっていいかわからなかったが、彼女の41歳のボーイフレンドと会い続け、ふたりはいつか結婚するかもしれないと思っている。 4 While many around the world may have chuckled at the American comedy "The 40-Year-Old Virgin," a complete dearth of sexual experience well into the 40s is a very serious matter. In fact, according to a survey by Dr. Kunio Kitamura, head of the Japan Family Planning Association (and Mainichi columnist), 7.9 percent of Japanese men from the ages of 40 to 44 are still to have sex. And Kitamura says the real figure is probably worse. 世界中のたくさんの人が、アメリカのコメディー映画「40歳の童貞男」でくすくす笑ったであろう一方で、40代にもなって性経験が完全に欠落していることは深刻な問題である。 実際、日本家族計画協会の所長(かつ毎日のコラムニスト)・北村邦夫博士の調査によると、40〜44歳の日本人男性の7.9%がいまだにセックスを経験していない。 そして北村は、実際の数字はおそらくもっと悪いという。 5 "There were another 5 percent of men who didn t give an answer," he tells Yomiuri Weekly. "If you consider that most of these men have probably not had sex, either, I d say the real number of virgin men in their early to mid-40s is probably closer to 10 percent." 「ほかに、解答しなかった男性が5%いました」と、彼は読売ウィークリーに語る。 「もし、これらの男性の大半もやはりおそらくセックスの経験がないと見なせば、40代はじめから中盤の童貞男性の実際の数は、おそらく10%に近いのではないでしょうか」 6 Mayumi Nimatsu, a marriage counselor who has dealt with the problems faced by many couples, thinks she knows the reason why Japan has managed to produce such a large number of chaste middle-aged men. 多くのカップルが直面した問題を扱ってきた、結婚カウンセラー・二松まゆみは、なぜ日本がこんなにも多くの数の性経験のない中年男を有してしまったのか、という理由を、自分は知っていると考える。 7 "This generation reached adulthood just as Japan was in the middle of the bubble era. Matchmaking parties started to become popular and there were plenty of opportunities for the sexes to mix," Nimatsu says. "But, on the other hand, it was also the time when women began insisting any men they would show interest in have the three highs (a high income, a high academic background and height). This really polarized the situation, with men who d be popular with women standing out above those who wouldn t be and probably did a lot to contribute to the high rate of virginity amongst 40-somethings now." 「この世代はちょうど、日本がバブル期の真っ最中にあるときに、成人期に達しました。 合コンが一般的になりはじめ、両性が交流する機会がとてもたくさんありました」と二松は言う。 「しかし一方でそれはまた、3つの 高 (高収入、高学歴、そして身長)を持つ男にしか自分たちは興味を占めないだろう、 と女性たちが強調しはじめたときでもありました。 これによって、現在四十数歳の層における高い童貞率に多大な貢献をしているであろう、女性にモテない男性たちよりも、女性にモテる男性たちが突出するようになり、状況は本当に二極化しました。 8 Ironically, in a Japan where the lack of sex between married couples has reached epidemic proportions, this same demographic producing so many virgins is also the same group with fewer sexless marriages than any other, the weekly says, quoting figures from a government survey on marriage. 皮肉なことに、夫婦間のセックスの欠如がエピデミックの割合に到達している日本では、他ならぬ、人口統計においてあまりにたくさんの童貞を生み出している年齢層が、他の人々よりもセックスレスの結婚が少ないグループの年齢層と一致している、と週刊読売は、政府による結婚調査から数値を引用しながら、言う。 9 Pshrink Seiji Okada thinks he knows why. 精神科医のオカダセイジは、彼は理由を知っていると考えている。 10 "Society has become more Americanized and people are now valued more for speaking their minds. This applies at work and in the home. People developed a dislike for arranged marriages and love marriages were dictated to by market principles, with women the party given the choice," Okada tells Yomiuri Weekly. "Some guys lack the ability to speak out on their own behalf and it becomes a handicap that sees them weeded out (of the love game) through the process of natural selection." (By Ryann Connell) 「社会がよりアメリカナイズされてきていて、人々は今では、自分の思うことを話すことをより評価するようになりました。 このことは職場でも家庭においても当てはまります。 人々は見合い結婚に対して嫌悪感を感じるようになり、女性が合コンで機会を与えられたこともあり、恋愛結婚は市場原理に影響されました」と、岡田は読売ウィークリーに語る。 ある男たちは自らのために意見を述べる能力が欠如していて、そのことが、自然選択の過程を通じて(ラブゲーム(*1)から)彼らを取り除くこととなる障害になりました。 11 July 13, 2006 2006年７月13日 拡散状況 Adult-DVD-Movie ｈｔｔｐ //www.adult-dvd-movie.co.uk/en/adult_news/8405/10-percent-of-japanese-men-in-their-40s-still-virgins.html Asian Sex Gazzete http //www.asiansexgazette.com/asg/japan/japan05news64.htm Adult Portal 部分転載：http //www.delightfulfantasy.com/news.php?readmore=1726 Orient Expat http //www.orientexpat.com/forum/index.php?showtopic=8746 英語サイト 部分転載：http //briandavidphillips.typepad.com/brian/2006/07/10_percent_of_j.html http //www.eoos.student.kuleuven.ac.be/phpBB3/viewtopic.php?f=9 t=440 http //fulldisklosure.org/joomla/index.php?option=com_smf Itemid=26 topic=4343.0 http //www.igoo.com/forums/showthread.php?t=45039 部分転載：http //www.japanprobe.com/?p=262 部分転載：http //www.japansexnews.net/node/1479 http //www.giantrobot.com/forums/showthread.php?t=6614 page=205 部分転載：http //mf.rox.com/archives/2006/07/15/some-chinese-people-will-gloat-over-this/ http //steelturman.typepad.com/thesteeldeal/2006/07/national_repres.html http //www.u8sex.com/news/10-percent-of-japanese-men-in-their-40s-still-virgins_50/ http //www.xcritic.com/forum/showthread.php?t=272667 page=25 関連ページ Adult Portal Adult-DVD-Movie Orient Expat WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：E WaiWaiの記事を転載した英語サイト：F WaiWaiの記事を転載した英語サイト：G WaiWaiの記事を転載した英語サイト：I WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：U WaiWaiの記事を転載した英語サイト：X 毎日新聞英語版から配信された記事2006年
https://w.atwiki.jp/touhoukashi/pages/2570.html
【登録タグ EarlGray つ ハルトマンの妖怪少女 古明地こいしの添い寝ディスク 曲 門脇舞以】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4163.html
【登録タグ S めらみぽっぷ メイガスナイト 凋叶棕 曲 東方PARTYBOX03 眇】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/touhoukashi/pages/4169.html
【登録タグ FELT Rebirth Story Ⅲ W 千年幻想郷 ~History of Moon 曲 美歌】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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Contaminated Soils, Sediments And Water Science In The Real World Springer? Edward J. Calabrese? Paul T. Kostecki? James Dragun? Contaminated Soils Conference 2003 Amher? Springer? EdwardJ.Calabrese? PaulT.Kostecki? JamesDragun? ContaminatedSoilsConference2003Amher? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-AgriculturalSciences-SoilScience? Water Quality Hazards And Dispersion Of Pollutants Springer? Wodzimierz Czernuszenko? Pawe M. Rowinski? Springer? WodzimierzCzernuszenko? PaweM.Rowinski? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Air Pollution Modeling And Its Application XVII (Air Pollution Modeling and Its Application) Springer-Verlag? 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Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-Microbiology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Organic-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-Microbiology? Subjects-Science-AgriculturalSciences-SoilScience? Monitors of Organic Chemicals in the Environment Semipermeable Membrane Devices Semipermeable Membrane Devices Springer-Verlag? James N. Huckins? Jimmie D. Petty? Kees Booij? Springer-Verlag? JamesN.Huckins? 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Acid in the Environment Lessons Learned And Future Prospects Springer-Verlag? Gerald R. Visgilio? Diana M. Whitelaw? Springer-Verlag? GeraldR.Visgilio? DianaM.Whitelaw? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-General? 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Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-VeterinaryMedicine-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-VeterinaryMedicine-General? Environmental Chemistry Microscale Laboratory Experiments Springer-Verlag? Jorge G. Ibanez? Margarita Hernandez-esparza? Carmen Doria-serrano? Arturo Fregoso-infante? Mono Mohan Singh? Springer-Verlag? JorgeG.Ibanez? MargaritaHernandez-esparza? CarmenDoria-serrano? ArturoFregoso-infante? MonoMohanSingh? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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const rPagename = /(?=^|.*
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Diaper luggage by designers are now coming in different stylish models. You could oversight their diaper baggage as the normal bags inside the marketplace for girls. Timi and Leslie luggage have revealed lots of versatility paired with stylish elegance. Plus they remained their trademark in creating diaper luggage. They may have developed bags in several hues this sort of as black, brown, bronze, blue, white, silver, pewter, pink, and purple. But not surprisingly, black is the most sought coloration by most women as it is often paired with practically bao bao issey miyake any coloration. It signifies toughness, boldness, and sometimes insolence. You could quickly match black with formal and everyday attires. Allow me to share the various Timi and Leslie diaper baggage in black that you just would certainly really like to get. Newborn Jane Diaper Bag in Black This black diaper bag is manufactured of fake leather. But you can expect to be confident that it is PVC absolutely free. It has significant excellent tailored antique brass components. This bag has quite a few compartments and pockets so that you can provide all of the requirements you will want inside your exercise outside. It has a crucial fob so that you won t ever drop your keys or possess a tough time locating your keys in the bottom of your bag. Identical to every other Timi and Leslie baggage, this bag also features a Pouchette for Mom s necessities these types of as credit history card, mobile devices, pen, and other people. You will also reach use a diaper changing mat and wipes pocket inside this bag. You might easily connect the stroller strap in the event you wish to relieve your shoulders with all the body weight. It s got an insulated bottle holder with clip to maintain the temperature of your respective baby s drinks. Genvieve II Satchel Diaper Bag in Black This smaller shoulder diaper bag is manufactured of light-weight quilted nylon substance. Furthermore, it has customized hardware in antique brass complete. You won t really have to fear a great deal with regards to the space and arranging because it has 6 inside pockets. It s got also a vital fob which means you will issey miyake tote never come across it hard looking for your keys. This Timi and Leslie bag includes a Pouchette in it wherever Mother can place her smaller necessities within. Bundled are also diaper switching mat and pockets to the wipes. You may protected your baby s bottles within their insulated bottle pockets. Hannah Diaper Bag Tote in Black This Timi and Leslie bag is created of faux leather-based that s PVC totally free. It s got custom created components in antique brass complete. You can also make utilization of it roomy six pockets within for additional requirements to be placed inside. It s got a vital fob to protected your keys to ensure it is going to not get lost. It has a matching Pouchette for Mom s smell points these types of as mobile phones, credit score cards, make ups, and lots of extra. It s got a different strap to help you very easily change its shoulder straps into stroller straps. You will not have got a challenging time changing baby s dirty nappy due to the fact it features diaper shifting mat and also a pocket for baby s damp wipes. Baby s bottle will probably be held harmless and warm in the bag s insulated bottle pocket. The Charlie II Tote Diaper Bag by Timi Leslie in Black This bag has lots of features this sort of as it s stroller straps in it, it s insulated bottle holder, change mat, essential holder, it has 6 inside pockets and many some others. This black bag is created of built from fake leather-based and it is actually PVC no cost. It s got Pouchette in it.